All oral presentations will be held in Auditorium 1 at the University Library.
Paper session A – Monday 30 May 11:00-12:30 – Instruments
Session chair: Sergi Jordà
The Overtone Fiddle: an Actuated Acoustic Instrument
Dan Overholt
A Low-Cost, Low-Latency Multi-Touch Table with Haptic Feedback for Musical Applications
Colby Leider, Matthew Montag, Stefan Sullivan and Scott Dickey
The Electromagnetically Sustained Rhodes Piano
Greg Shear and Matthew Wright
Gamelan Elek Trika: An Electronic Balinese Gamelan
Laurel Pardue, Christine Southworth, Andrew Boch, Matt Boch and Alex Rigopulos
Sonicstrument: A Musical Interface with Stereotypical Acoustic Transducers
Jeong-Seob Lee and Woon Seung Yeo
Paper session D – Monday 30 May 14:30-15:30 – Gesture and cognition
Session chair: Rolf Inge Godøy
Gestural Embodiment of Environmental Sounds: an Experimental Study
Baptiste Caramiaux, Patrick Susini, Tommaso Bianco, Frédéric Bevilacqua, Olivier Houix, Norbert Schnell and Nicolas Misdariis
Listening to Your Brain: Implicit Interaction in Collaborative Music Performances
Sebastian Mealla, Aleksander Valjamae, Mathieu Bosi and Sergi Jorda
Examining How Musicians Create Augmented Musical Instruments
Dan Newton and Mark Marshall
Paper session E – Monday 30 May 16:00-17:00 – Frameworks
Session chair: Michael Lyons
Tahakum: A Multi-Purpose Audio Control Framework
Zachary Seldess and Toshiro Yamada
A Framework for Coordination and Synchronization of Media
Dawen Liang, Guangyu Xia and Roger Dannenberg
Satellite CCRMA: A Musical Interaction and Sound Synthesis Platform
Edgar Berdahl and Wendy Ju
Paper session F – Tuesday 31 May 09:00-10:50 – Mobile music
Session chair: Sid Fels
Two Turntables and a Mobile Phone
Nicholas J. Bryan and Ge Wang
The Visual in Mobile Music Performance
Patrick O’Keefe and Georg Essl
MadPad: A Crowdsourcing System for Audiovisual Sampling
Nick Kruge and Ge Wang
Designing for the iPad: Magic Fiddle
Ge Wang, Jieun Oh and Tom Lieber
MobileMuse: Integral Music Control Goes Mobile
Benjamin Knapp and Brennon Bortz
Tangible Performance Management of Grid-based Laptop Orchestras
Stephen Beck, Chris Branton, Sharath Maddineni, Brygg Ullmer and Shantenu Jha
Paper session I – Tuesday 31 May 14:30-15:30 – Machine Learning
Session chair: Jim Tørresen
An Open Source Interface based on Biological Neural Networks for Interactive Music Performance
Hernán Kerlleñevich, Manuel Eguia and Pablo Riera
Recognition Of Multivariate Temporal Musical Gestures Using N-Dimensional Dynamic Time Warping
Nicholas Gillian, R. Benjamin Knapp and Sile O’Modhrain
A Machine Learning Toolbox For Musician Computer Interaction
Nicholas Gillian, R. Benjamin Knapp and Sile O’Modhrain
Paper session J – Tuesday 31 May 16:00-17:00 – Artistic reflections
Session chair: Øyvind Brandtsegg
Music and Technology in Death and the Powers
Elena Jessop, Peter Torpey and Benjamin Bloomberg
Design and Evaluation of a Hybrid Reality Performance
Victor Zappi, Dario Mazzanti, Andrea Brogni and Darwin Caldwell
InkSplorer : Exploring Musical Ideas on Paper and Computer
Jérémie Garcia, Theophanis Tsandilas, Carlos Agon and Wendy Mackay
Paper session K – Wednesday 1 June 09:00-10:30 – Musical interaction
Session chair: Norbert Schnell
Battle of the DJs: an HCI perspective of Traditional, Virtual, Hybrid and Multitouch DJing
Pedro Lopes, Alfredo Ferreira and Joao Madeiras Pereira
Designing Digital Musical Interactions in Experimental Contexts
Adnan Marquez Borbon, Michael Gurevich, A. Cavan Fyans and Paul Stapleton
Crackle: A mobile multitouch topology for exploratory sound interaction
Jonathan Reus
A principled approach to developing new languages for live coding
Samuel Aaron, Alan F. Blackwell, Richard Hoadley and Tim Regan
Integra Live: a new graphical user interface for live electronic music
Jamie Bullock, Daniel Beattie and Jerome Turner
Paper session L – Wednesday 1 June 11:00-12:30 – Sensing
Session chair: Dan Overholt
Robust and Reliable Fabric, Piezoresistive Multitouch Sensing Surfaces for Musical Controllers
Adrian Freed, Yung-Sim Roh, Yotam Mann and David Wessel
Examining the Effects of Embedded Vibrotactile Feedback on the Feel of a Digital Musical Instrument
Mark Marshall and Marcelo Wanderley
HIDUINO: A firmware for building driverless USB-MIDI devices using the Arduino microcontroller
Dimitri Diakopoulos and Ajay Kapur
Latency improvement in sensor wireless transmission using IEEE 802.15.4
Emmanuel Flety
The Snyderphonics Manta, a Novel USB Touch Controller
Jeff Snyder
Presentation guidelines
To help things run smoothly during the paper sessions, please read the following guidelines.
Short paper presentations will be 10 minutes + 5 minutes for questions, and long paper presentations will be 15 minutes + 5 minutes for questions. The session chairs will be asked to be strict regarding the time-keeping, so please make sure that you are able to keep within the time limits.
Presenters are asked to introduce themselves to the presentation coordinator and session chair during the break before their session. We strongly advise to test the presentation/computer before the session starts.
The following is available in the auditorium where the presentations will take place:
- Two VGA connections (two laptops can be connected simultaneously)
- Stereo P/A system with minijack connection
- A Windows 7 desktop (PowerPoint and VLC) with internet connection
We will keep some display adapters available, but we strongly recommend that you bring your own if your laptop does not have a VGA port.
If you have any questions, please contact presentation coordinator Kristian Nymoen.